SHE'S BAAAACK!!!!
Lisette Chavez and I are excited to bring our multimedia installation, ANGEL BABY to Contemporary Arts Museum Houston as a part of Right Here, Right Now: San Antonio. This exhibition will include 19 artists from SATX and opens Friday, April 27th. The show runs through August 5th. It's an honor to be a part of this group representing our beautiful city! The FB event page is below.
Wednesday, April 18, 2018
Tuesday, April 17, 2018
Tejana
I am working with Texas bindweed (a native Texan flowering vine in the morning glory family) to create some jewelry meant to adorn my Tejana body and show reverence for the land of my birth.
Tex-Mex
Tejana
Thursday, April 12, 2018
Texas Bleeding Heart Vine
More experiments in organic art are happening in my studio. While I wait for some other plant matter to dry out, I am focusing on this mujer.
This Texas bleeding heart vine bloomed once and was never really happy again. It struggled for a couple of years and died last winter. I kept the remains and something powerful is emerging. More to come...
Wednesday, April 11, 2018
Texas Bindweed
I have been gathering cuttings of vines native to Texas to use in a new series of work. Among my favorites, is Texas bindweed. It's in the morning glory family and produces tiny white blooms with red centers. I found this particular vine thriving in a concrete-asphalt seam.
As I explore my own identity as a Tejana, I am working with this vine to create a few pieces meant to be worn, to adorn. I'm interested in how our bodies are forever linked to the place of our birth as well as our ability to flourish in new and challenging environments. As I work with this plant and learn more about its characteristics, I am also examining my own body: a soft body, a large body, a strong body, a body that's housed another body, a fat body, a powerful body, a body that takes up space, a Tejana body, a body that creates, an aging body, an abused body, a loved body, a sexual body, a body that has survived, a living body, a woman's body.
As I explore my own identity as a Tejana, I am working with this vine to create a few pieces meant to be worn, to adorn. I'm interested in how our bodies are forever linked to the place of our birth as well as our ability to flourish in new and challenging environments. As I work with this plant and learn more about its characteristics, I am also examining my own body: a soft body, a large body, a strong body, a body that's housed another body, a fat body, a powerful body, a body that takes up space, a Tejana body, a body that creates, an aging body, an abused body, a loved body, a sexual body, a body that has survived, a living body, a woman's body.
Texas bindweed
Convolvulus equitans
Click on the link below to learn more about Texas bindweed
Sunday, March 18, 2018
ILGWU Local 180
ILGWU Local 180
21 x 17 x 3 inches
fabric, lace, pins, paper
2018
In 1959, in San Antonio, Texas the International Ladies’ Garment Workers’ Union - Local 180 organized a strike against the Tex-Son garment factory demanding a living wage increase. Strikers faced violent opposition at the hands of the Tex-Son Company and police. This included intimidation, physical force, and arrests. Union members, a majority of whom where Mexican-American women, used creative tactics to earn the support of San Antonio which was traditionally known for its anti-union sentiment. Some of these tactics were to fashion themselves in attire that was deemed “ladylike” and use rhetoric that was centered around their roles as mothers.
San Antonio born Sophie Gonzales was instrumental in this garment strike and was the first Mexican-American woman organizer in the history of Texas for ILGWU. This strike, that lasted from 1959 to 1963, was the beginning of her 35 years of dedication to labor union organizing in Texas. This work pays homage to the tenacity of Gonzales and her sister strikers.
Tuesday, March 13, 2018
Life and Death in the Garden
It has been a struggle lately to force my artwork into rectangles that hang flat on a wall. I feel a strong pull to create bodies that stand on their own. As I reflect on this, rethink previous boundaries, and open myself up to new ideas, I am also clearing out my garden to prepare for new growth. Spring cleaning all around! And right on cue, the garden provides (like always). As I cleared out old dead plant matter, these two forms emerged. I plan to experiment with them as the skeletons for sculptural work. I'm looking forward to a new direction.
philodendron trunk and roots
Texas bleeding heart vine and roots
Sunday, March 11, 2018
Common Currents
I was invited to participate in the Common Currents exhibition at the Carver Community Cultural Center opening this Thursday, March 15th. Join us at the opening reception from 6-8pm. Please read below for more information about Common Currents.
Opening reception for Common Currents: 1918-1967 is an official San Antonio Tricentennial event. Opening night events will include visual art and performance works in the Jo Long Theatre.
ABOUT COMMON CURRENTS
In celebration of San Antonio’s Tricentennial year, six downtown artist-centric organizations: Artpace San Antonio, Blue Star Contemporary, Carver Community Cultural Center, the Guadalupe Cultural Arts Center, the Mexican Cultural Institute, and Southwest School of Art, will partner to present an exhibition that will illuminate the 300 years of their hometown’s history. Common Currents is a diverse, encyclopedic showcase of San Antonio’s history as told and rewritten by more than 300 visual and performing artists, invited to participate by their peers, and presented over 6 venues.
Drawing on the connections or currents that run through San Antonio’s vibrant creative community, each of the organizing partners began by inviting two artists. These initial 12 artists were then asked to invite two peer artists, until more than 300 were amassed. All of the participating artists were assigned one year of San Antonio’s history on which to reflect in the development of their work for Common Currents. This exhibition is presented chronologically through a variety of contemporary media across the six venues.
Common Currents draws a portrait of San Antonio, by San Antonians. With the “chain letter-inspired” framework for the exhibition, each organization takes a backseat, letting the participating artists make decisions that may traditionally be the role of the organization or curator. This provides for an exciting presentation of artistic connections spanning our center city’s art venues. More information at commoncurrents.org
Please click on the link below for the Facebook event page.
I was assigned the year 1959. The mixed textiles piece I have created focuses on the Tex-Son garment factory strike organized by Sophie Gonzales and the International Ladies' Garment Workers' Union - Local 180 in San Antonio, Texas.
I created a portrait of Gonzales using bits and pieces of women's clothing and other sewing materials including pins and paper patterns. I look forward to sharing the final product as a part of this exhibition.
Subscribe to:
Posts (Atom)











